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Long Live The New Flesh
Long Live The New Flesh Long Live The New Flesh Long Live The New Flesh Long Live The New Flesh Long Live The New Flesh Long Live The New Flesh Long Live The New Flesh
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12 January 2013

ICA, London

Long Live The New Flesh was the second in a series of three nation-wide events investigating the distribution and production of art via virtual and digital platforms through sound, performance and digital media.

Modern society was initially formed by its relationship to human proportion. The capabilities and limitations of the physical body defined the old Fordist industrial system. In keeping with the ancient premise by Protagaras that ‘man is the measure of all things’, mankind was fundamentally able to manipulate his/her environment because of their physical proximity to it. Digitalization and the virtualisation of space implies a crucial shift where the human scale of industry and society have disappeared, and therefore social products are no longer manipulated totally materially. The shift from mechanical technology to digital, from hardware to software, obfuscates the workings of technology leaving only the virtually simulated soft interface of touchscreen to be manipulated by human hands.

With the proliferation of virtual space, production has been condensed into a rhizomatic collection of online information and this drastic alteration of spatial practices has changed the way in which we communicate as well as how capital and culture is transferred around the world. These shifts in the habitation and perception of physical space have had a very specific impact on the way art is produced and dispersed.

What does this increased blurring of the boundaries between our body and the technology we depend upon entail? And, at what point does interface with technology become augmentation? To what extent does the advent of digital technology feed and enable our desire to transcend the limitations of our bodies?

Long Live The New Flesh was presented over an evening in the ICA’s Nash and Brandon rooms as part of Bloomberg New Contemporaries 2012. A printed publication to coincide with the evening was produced by White Room Press.

Follow the links on the left to view works by the artists in our archive.

Works presented included:

Sidsel Christensen The Curvature Singularity of Erin Hunter

John Gerrard Grow Finish Unit (near Elkhart, Kansas) 

Dori Deng and Metka Drcar Rhythm Series, Work No. 2 

Benedict Drew The Concha Institute

Head Gallery Better a Dead Collector Than a Paralyzed One

Plastique Fantastique Summoning The Neuropatheme

Nicolas Provost Long Live The New Flesh

Long Live The New Flesh was supported by Bloomberg New Contemporaries and Arts Council England.

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